Taipei Fine Arts Museum
X Site 2026
Taipei Fine Arts Museum X-Site 2026
台北美術館 X-Site 2026 鏡・亭・山：相看兩不厭
《鏡‧亭‧山》回應北美館廣場環境，將地面輕輕掀起，創造出無牆柱懸空的通透空間，讓公共廣場重新凝聚人流。作品將抵抗風力的鋼纜轉化為互動聲音裝置，揭露北美館潛藏的環境聲音；以例年X site 得獎作品空拍圖，像素化成為向上抬起的蛇紋磚；下方利用鏡面反射著活動、建築與環境。比起呈現一件強烈主觀的作品，《鏡‧亭‧山》更旨在「創造環境」——讓身處其中的人事物、歡笑與自然動靜共同完成這件作品。
In response to the museum plaza, «The Jade: Plaza Calls to Plaza» lifts the ground to create an open, column-free space for people to gather. The wind-resisting cables become interactive sound devices that play hidden museum sounds upon touch. The elevated green tiles use pixelated aerial images from past X-site winners, while mirrors below capture human interaction and the environment. This's not just a piece of art; it creates an environment where visitors and natural elements finish the artwork together.
Architecture and Designer: 做白工作室
Pixelated Memories in Serpentine tile Pattern
時間像素蛇紋磚：作品呈現將北美館入口地面輕輕掀起的概念，以歷屆X-site作品的空拍圖作為像素重組成經典蛇蚊地磚圖案。
Embodying the concept of gently peeling up TFAM’s entrance plaza, the design uses aerial pictures of past X-site editions to reconstruct the classic serpentine tile pattern.
Elevated Perspective and Spatial Tension
俯瞰視角揭示了作品獨特的空間構圖。拉緊的鋼纜穿過幾何磚面，將上方的動態步伐與下方的折射虛影凝結在同一畫面中，展現《鏡‧亭‧山》豐富的層次感。
An elevated perspective reveals the distinct geometric composition. Tightly drawn steel cables intersect with the tiled surfaces, capturing the rhythm of walking footsteps alongside their mirrored reflections, embodying the rich layers of this artwork
Elevated Structure
與北美館的巧妙融合：向上抬升無柱的設計，帶來了輕盈的感受，也將人們的視線籍著結構線條導引至北美館。
The column-free, elevated design conveys a sense of lightness, while its structural lines guide the eye toward TFAM
A Tilted Corner
上仰的一角：以紅色對比色為基底，並與館外裝置藝術品相呼應。向上仰起也創造了一個有趣的互動空間，人們可以在上面玩樂，成功將靜態的藝術品轉化為活潑的互動地景，設計師的想法在人們的使用中得到最真實的驗證。
Built upon a contrasting red base, it resonates with the outdoor art installations of the museum. The upward tilt creates an engaging interactive space where children and visitors can play. This successfully transforms a static artwork into a lively, interactive landscape, bringing the designer's vision to life through people's presence and experience.
Touch-sensitive Interactive Installations
琴弦發聲互動：將抗風浮力的鋼纜轉化為可觸控的互動裝置，觸碰時會發出從館內蒐集、編排而成的日常聲響與環境音。
Converting wind-resisting tension cables into touchable interactive devices, releasing everyday ambient sounds gathered from inside the museum upon touch.
Three Layers of Imagery
鏡、亭、山三層意象：「鏡」以反射捕捉人與環境的動態；「亭」提供遮蔭與暫歇空間；「山」則構成雙向掀起可供穿梭的自由場域。
"Mirror" captures the movement of people and the environment through reflection; "Pavilion" offers shade and a place to rest; "Mountain" creates a fluid, lifted realm for people to wander through
A Space for Children to Play
一件大型的互動藝術：做白工作室不只是創造了一件藝術品，也是公共活動與休息的空間。
Not only creates an artwork, but also provides a space for public activities and relaxation
